June.13
Japanese Karakami Woodblock Printed Paper
June.13
Gail Rieke
Karakami is woodblock printed ornamental paper displaying patterned motifs and designs with ancient significance for decorative applications to walls and sliding screens. This video follows two skilled artisans who are using collections of woodblocks carved over past times as well as original designs to bring this artform into contemporary use and consciousness. Video : https://www3.nhk.or.jp/nhkworld/en/ondemand/video/2029154/
May.13
Fascinating Japanese Photography by Sophie Bernard
May.13
Steve Beimel
@Untitled, from the series « Pretty Woman », 2017 © Daido Moriyama Photo Foundation. Courtesy of Akio Nagasawa Gallery Two outstanding 20th century Japanese photographers featured in an exhibition in Paris, entitled Moriyama–Tōmatsu: Tokyo. Venue: Maison Européenne de la Photographie Daido Moriyama and Shomei Tōmatsu had envisaged this project together, but the death of the…
Apr.21
BLUE & WHITE POP UP SURPRISE ! by Amy Katoh
Apr.21
Amy Katoh
Things were different at our recent 10 Day Tokiwa Gallery! Silly! Quirky! Unexpected! Laughable! and Surprising! Starting with a SPECTACULAR SHISHI MAI DANCE performed by Father and Son who live in the neighborhood. Son, an evolved and accomplished 40 year old Down’s Syndrome artist, was the head. Father was the tail. Their teamwork, punctuated by…
Sept.18
Glass artist brings Japanese sensibility to Venetian lace technique: Ushio Konishi
Sept.18
Dasha Klyachko
One of Japan’s more established contemporary glass artists, Ushio Konishi, is a world leader in the Venetian lace glass technique. This involves creating glass rods with a ‘lace’ pattern before blowing and shaping the final piece. The rods, also known as glass canes, are made by skillfully and delicately twisting molten glass of different colours,…
Sept.03
How Art Historians Cracked the Case of Enigmatic Japanese Painter Hasegawa Tōhaku
Sept.03
Allison Meier
From Artsy.net: by Allison Meier Hasegawa Tōhaku’s legacy has played out like an art-historical whodunit—which is precisely why Dr. Miyeko Murase, former special consultant in Japanese art at the Metropolitan Museum of Art and professor emerita at Columbia University, found it so fascinating. “I thought, this reads like a detective story,” she told Artsy, “and…